State to State brings together works that explore transformation through two distinct but related approaches. The first involves the literal movement of materials— a segment of the artist’s studio wall transported between cities, embedded in new locations creating permanent physical exchanges between distant sites. The second explores transformation through drawing, where images undergo changes of state: breath progressively obscures an image, a photograph slowly dissolves into abstraction through repeated acts of mark-making.

Spanning ten years of Mark Hislop's practice these approaches reveal transformation as both physical displacement and perceptual shift. Whether moving matter across distances or tracing the movement from representation to abstraction on paper, the works focus less on destinations than on the spaces where change occurs—the hidden disk connecting distant studios, the moment breath begins to erase what it also creates, the incremental zoom that transforms document into poetry.

 

Mark Hislop | It is to the air that I dedicate myself 2018 | It is to the air that I dedicate myself, portrait 2025

Mark Hislop | My punctuation is my breath, 2019 | Invisible architectural fact, 2025

Mark Hislop | Untitled, 2025

Mark Hislop | Invisible architectural fact, 2025 | concrete | 45 x 70 x 4 cm each

Mark Hislop | My punctuation is my breath, 2019 | Graphite on paper,  12 parts, 21 x 26 cm each


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Mark Hislop | It is to the air that I dedicate myself 2018 Graphite on paper 12 drawings, 26 × 17 cm each


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Mark Hislop | Untitled, 2025 | inkjet prints on paper | 45 x 35 cm each


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Mark Hislop | It is to the air that I dedicate myself, portrait 2025 Graphite on paper, 32 × 22 cm


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Mark Hislop | Invisible architectural fact, 2025 | concrete | 45 x 70 x 4 cm


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